In short

Journalists in Syria honored by the 78th Overseas Press Club Awards

Tomorrow will be given grand dinner by the Overseas Press Club Awards for their 78th edition winners...

Dread Scott’s Discussion on Making America Great at ICP

The ICP school is hosting tonight a conversation between artist Dread Scott and photographer Accra...

Profession Photographie Invites French-Laboratory Picto

The French-based association Profession Photographie invites this Wednesday April 26th the Parisian...
PHOTO OF THE DAY
Photographe anonyme. Un Picasso à tomber par terre.
Allemagne, 1955. Tirage argentique d'époque légèrement rehaussé. 21,3 x 16,2 cm
Photographe anonyme. Un Picasso à tomber par terre. Allemagne, 1955. Tirage argentique d'époque légèrement rehaussé. 21,3 x 16,2 cm

The gallery presents a selection of photographs by Juliette Mogenet based on the mise en scène as a subject of aesthetic study. Close to a simulacrum, mise en scène consists of building an image rather than suddenly capturing it. However, a mise en scène is not always a question of simulacra; it can be visible and become part of the image.
Various series by Mogenet’s enhance volumes and real or fictional spaces. These photographs transcribe a sense of atmosphere though detail via a structuration of space, texture, and color.

FESTIVAL
Paris Photo Los Angeles
May 1st – 3rd, 2015
Galerie de Roussan
Paramount Pictures Studios

Los Angeles
780 N. Gower Street
Los Angeles, CA 90038
United States

http://www.parisphoto.com

http://www.galeriederoussan.com

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Festival
Paris Photo Los Angeles 2015
Solo shows

At 7:00 PM Pacific Time, the third edition of Paris Photo Los Angeles opened in Paramount Studios. Seventy-nine galleries from nineteen countries were on hand. We'll be covering the festival today and tomorrow.

Event
Opening of Photo L.A.: Why You Don’t Want to Miss It

What I love about shows like Photo L.A. is that they function as anti-museums, places where hi-art and street art vie for your attention without the intervention of a curated point of view. Of course there are many curators involved but each is working independently. The results ...