In short

Richard Mosse Arrested in Greece

Irish photographer Richard Mosse, recently winner of the Pictet 2017 prize for his Heat Maps series ...

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Martin Parr in Person at Metrograph New York

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Eve Arnold, School for non-violence, Virginia, 1960 © Eve Arnold/Magnum Photos
Eve Arnold, School for non-violence, Virginia, 1960 © Eve Arnold/Magnum Photos

From film-inspired Max Pinckers to war reporter Lorenzo Meloni, from Newsha Tavakolian’s insider’s view to the conceptual work of Richard Mosse, from the lyrical Carolyn Drake to the classic approach of Matt Black, the six Magnum nominees for 2015 cover the full range of current documentary trends. “This year’s selection is truly representative of Magnum, with the constant but complementary tension between journalism and art,” explains Antoine Kimmerlin, Editorial Manager at Magnum Paris. Reports are published across a variety of media, war photos are hung in galleries, the subjects themselves contribute to the narration, and the abstract throws light on to facts. “This selection demonstrates the agency’s dynamism, and our confidence in the future,” he adds.

These six photographers are bound to inspire the current generation of photojournalists. The image is breaking out from the boundaries of the newspaper and the conventional text/caption/photograph format. The subject now determines the form. In fact, sometimes it is the subject that narrates the image, for instance when Carolyn Drake travelled with a set of pens, scissors and glue so that the people photographed could add their own touch to her portraits. Books are often self-published and provide an alternative to the press or the web. Carolyn Drake experimented this to quite a radical degree with her first book, Two Rivers. The book becomes a space for narrative experimentation and there is a tendency to reject the compilation of images. It is also the preferred format of Max Pinckers, who has just founded an independent publishing house, Lyre Press. When he is working on a report, Pinckers will willingly stage a scene using cinematographic references to place his images in a social and cultural context.

They are all photojournalists but that label has not held them back. When reporting on the unseen reality of civil war in the Democratic Republic of Congo, Richard Mosse opted for infra-red film. His pink-tinted landscapes form the backdrop for what look like tin soldiers, illustrating the vehement manhunts that take place across the vast wooded savana of the country. Newsha Tavakolian was initially banned from working as a photojournalist by the Iranian regime, but this did not stop her from developing an even more accusatory artistic tone. Matt Black set off on an epic journey to record the traces left by drought in the American West. For him, the images couldn’t be anything but black and white – black and white with a dense grain that recalls the dust in these dramatic landscapes. As for Lorenzo Meloni, he deals with conflict through the soul, looking beyond mere facts. These are all refreshing examples for today’s storytellers who suffer from the changes affecting the industry but don’t dare to shake things up: that, however, is precisely what the profession wants.

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Newsha Tavakolian

Born in 1981 in Tehran, Iran. A self-taught photographer, Newsha began working professionally in the Iranian press at the age of 16 at a women’s daily newspaper called Zan. At the age of 18, she was the youngest photographer to c...

Matt Black

Matt Black grew up in a small town in California's Central Valley, a rural agricultural area in the heart of the state. He graduated from San Francisco State University with a degree in Latin American and US Labor History. Matt's work has ...

Carolyn Drake
Max Pinckers

Max Pinckers is a Belgian photographer, born in 1988. He lives and works in Brussels, Belgium.

Newsha Tavakolian, laureate of Prix Carmignac Gestion of photojournalism

The theme of the 5th edition of the Carmignac Gestion Photojournalism award was Iran, a country at the center of international strategic issues, at a time when President Mahmoud Ahmadinejad had used up his term limits. Its geographical location, economic situation and nuclear pot...

Newsha Tavakolian versus Carmignac

"In recent months I have been named as the winner of the 2014 Carmignac Gestion photojournalism Award, a 50.000 Euro grant for a photographic project about Iran. My winning this award has been announced twice, in the Financial Times, in two full-page advertisements, I began ...

Newsha Tavakolian Believes Rule Changes to the Prix Carmignac Guarantee Her “Artistic Freedom”
lauréate du prix Carmignac récupère sa récompense

Is the controversy over? Iranian photographer Newsha Tavakolian, winner of the fifth Prix Carmignac, has reversed her decision to return the award and its 50,000€ prize. The Fondation Carmignac created a stir with its September 9th decision to postpone the exhibition and the...

Special Books : Wild Pigeon by Carolyn Drake

Since 2009, the condition of the Uighur people has gone from bad to worse.  The religious practices of the Muslim population in Northwest China have been threatened and labeled extremist, while their culture has been crushed by the steamroller of economic expansion that has ...

Contemporary Iranian Photography : Newsha Tavakolian, winner of the Carmignac Prize

After many twists around the award, the Carmignac Foundation presents an exhibition of the work of the Iranian photographer Newsha Tavakolian, 5th winner of the Carmignac Photojournalism Award. Curated by Anahita Ghabaian, President of the 2013 Jury, the exhibition will take...

Art & Commerce
Up Close & Personal: The Most Intimate Photographs from Magnum

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