In short

Nicéphore Niépce Museum Looking For A New Directeur

The Nicéphore Niépce museum and the town of Chalon-sur-Saône are looking for a director. With a c...

Winners of the LensCulture and Magnum Photography Prize Announced

The Magnum Photos agency and the magazine LensCulture announced the winners of their very young phot...

Record Auctions for Wolfgang Tillmans

Wolfgang Tillmans, Freischwimmer #84, 2004 © Wolfgang Tillmans & Phillips The 48-year-old Germa...
Luciana Pampalone, Graflex, 2012 © Luciana Pampalone
Luciana Pampalone, Graflex, 2012 © Luciana Pampalone

Dutch photographer Ingetje Tadros has called the remote Western Australian town of Broome home for the past twelve years. Over the past four years she has been documenting the Aboriginal communities around Broome, which is a tourist mecca known for its pristine beaches, high-priced resorts and stunning scenery.

But Tadros has uncovered another side to Broome, one the Western Australian government would prefer to sweep under the rug. Tadros says she is appalled by the way the Aboriginal people are treated by the community, and by the authorities. Many live in atrocious, squalid conditions.

Tadros worked to gain the trust of elders and other community members before picked up her camera. As her relationship with the community strengthened she began to document daily life – funerals, hunting, family fights, a wedding and intimate family moments. In the last seven months her focus has turned to a single community; Kennedy Hill, one of around 100 indigenous communities that are facing closure under the government’s new edict. Her powerful black and white images have gained international attention and won Tadros a prestigious Walkley journalism award.

Head On Photo Festival 2016
This is My Country
Ingetje Tadros
27 Apr – 08 May 2016
107 Projects
107 Redfern St

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Head On Photo Festival 2016 : Giles Clarke
Alison Stieven Taylor's Picks

New York-based photojournalist Giles Clarke’s project ‘Waste in Time’ was shot in Haiti and documents the community that lives near, and works in, the vast landfill that sits above Port-Au-Prince’s poorest neighbourhoods – and above their water supply. Clarke, who is wi...

Head On Photo Festival 2016 : Diary of Alison Stieven-Taylor

Annual photographic festivals face the challenge of keeping it fresh and programming events and exhibitions that will appeal to loyal followers and also attract newcomers. In meeting this challenge, Moshe Rosenzveig the director of Sydney’s Head On Photo Festival throws his net...

Head On Photo Festival 2016 : Michael Grecco
Hollywood Portrait Photographer talks to Alison Stieven-Taylor

Michael Grecco began his career in Boston where he spent 13 years working as a photojournalist. But after getting too close to the action one time and finding himself face down while a haze of bullets screamed above, he decided to change direction. An offer from People magazine t...

Head On Photo Festival: Alison Stieven-Taylor’s Top 5 Exhibition Picks

This stunning series by Hungarian-born Juli Balla features extravagant staged scenes that draw on street photography from the 1950s through to the 1970s.

Sydney Head On Photo Festival: Markus Klinko, Bowie Unseen

“When Iman came to the studio to choose the photograph for the cover of her book I Am Iman, she brought her husband with her, which was a great surprise,” says Swiss-born photographer Markus Klinko recalling his first encounter with David Bowie back in 2001.

Ingetje Tadros, This is my country

It’s 7am in a trailer park in Clinton, Missouri. Photographer Ingetje Tadros stands amidst the detritus of broken televisions, discarded furniture and rusting cars that are features of the park’s unkempt landscape. Dogs are barking hysterically. Suddenly a trailer door swings...

Head On Photo Festival 2016 : Catherine Leutenegger
Alison Stieven Taylor's Picks

Swiss visual artist Catherine Leutenegger’s ‘Kodak City’ is an anthology that reveals what remains of Kodak as a business and looks at the impact the company’s decline has had on the inhabitants of Rochester, where Kodak’s headquarters was situated for more than a centu...

Head On Photo Festival 2016 : Nathan Miller
Alison Stieven Taylor's Picks

Melbourne-based Nathan "Natti" Miller describes this beautiful series of black and white photographs as “visual notes of a traveller with a camera passing through”. What he doesn’t add is that this traveller has a highly developed eye and his visual rendering of the Mississ...

Head On Photo Festival 2016 : 1% – Privilege in a Time of Global Inequality
Alison Stieven Taylor's Picks

In researching what became the group exhibition “1% - Privilege in a Time of Global Inequality”, curator Myles Little, who is also a photo editor at TIME in New York, came across a study conducted by Harvard University that looked at perceptions of inequality around the world...

Head On Photo Festival 2016 : Mark Lehn
Alison Stieven Taylor's Picks

Canadian-born, Perth-based photographer Mark Lehn’s photo essay of the Bajau Laut nomads, known as the ‘sea gypsies’, captures this group that lives a stateless existence in boat dwellings in the Sabah region of Borneo.

Head On Photo Festival 2016 : Graham MacIndoe & Susan Stellin
Alison Stieven Taylor's Picks

‘American Exile’ combines a series of photographs and interviews with immigrants who have been deported from the USA and their families, many of whom are American citizens who are left behind. Created by Graham MacIndoe and Susan Stellin, this project has very personal beginn...

Head On Photo Festival 2016 : John Feely
Alison Stieven Taylor's Picks

Sydney photographer John Feely’s meditative documentation of his three-month journey through Western Mongolia’s Bayan-Ugli region is presented as the exhibition ‘The Outsider’. This collection features a number of environmental studies as well as portraits of the region...