In short

Record Auctions for Wolfgang Tillmans

Wolfgang Tillmans, Freischwimmer #84, 2004 © Wolfgang Tillmans & Phillips The 48-year-old Germa...

Bastille Day Exhibition at &co119 Gallery

Johan van der Keuken, 14 juillet 1958 © Johan van der Keuken / Galerie &co119  

Focus Iran, broadcasted tonight on ARTE

While Iran is at the time of the Rencontres photographiques d’Arles 2017 with the exhibition I...
Luciana Pampalone, Graflex, 2012 © Luciana Pampalone
Luciana Pampalone, Graflex, 2012 © Luciana Pampalone

Born in 1933, Eikoh Hosoe spent his childhood in a Japan destroyed by  war. The avant-garde photographers of his generation, torn between nationalist authoritarianism and the opening of an equally seductive vanquishing West, in one way or another, witnessed everything from the collapsing of traditions to the Japanese millennial supremacy.

Their emancipation came through their gathering in collectives such as Jūninno-Me in 1956-57 and VIVO at the beginning of the 1960s, but equally through numerous interdisciplinary exchanges. Following  his meet-up with the charismatic theatre creator Butoh Tatsumi Hijikata, Hosoe became known from 1961 for his superbly crafted book – Man and Woman – which transcends the boundaries of erotic art through its graphic over dramatization. Then, in 1963, Hosoe created the album Barakei – Killed by Roses with Yukio Mishima which put the scandalous author in the spotlight and lifted the photographer to immediate international notoriety.

“My ideal artist – modern or contemporary – is an artist who has a real political or sociological intention concerning the preoccupations of their era and who is successful in doing so by innovatively creating a discernible piece of work”, says art dealer Eric Mouchet.

In Barakei, Mishima, always stripped bare, is alternatively captured in the kitschy gold setting of his home in Tokyo and in Hijikata’s deserted dance studio. The other shots pay tribute to his love for European Renaissance painting, and, in particular his very sensual iconography of the martyr Saint Sebastian.

Barakei is an erotic and morbid fable that is well known due to its provocative allusion to Mishima’s homosexuality and the despair of an immensly erudite author who refused the decline of his country and of his body. Barakei is incontestably Eikoh Hosoe’s masterpiece.

Eikoh Hosoe, Barakei
Portrait de Yukio Mishima
October 27 to December 23, 2016
Galerie Eric Mouchet
45 Rue Jacob
75006 Paris

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Arles 2016 : Kazuo Ono by Eikoh Hosoe & William Klein

The exhibition "Pas de Deux" brings together the photographs taken by Eikoh Hosoe and those taken by William Klein of Kazuo Ohno (1906-2010), the cofounder of the Japanese dance form Butoh. "Pas de Deux" also interrogates the performative aspect of the photographic act. In 1961, ...

Eikoh Hosoe: Ordeal by Roses, vintage Prints at SAGE Paris

SAGE Paris presents from January 2nd to March 28th 2015 a body of vintage prints of Ordeal by Roses by Eikoh Hosoe. This series is the result of a unique collaboration between Eikoh Hosoe, one of the most influential photographers of the history of Japanese po...

Kyotographie 2013 –Eikoh Hosoe

Born in March 1933 in Yonezawa, Yamagata, Eikoh Hosoe graduated at Tokyo College of Photography in 1954 and became a freelance photographer, emerging in the experimental arts movement of post-World War II in Japan. He is considerated one of the leading figure of modern Japanese a...

Eikoh Hosoe

° C L A I R Projektverwirklichung und Kunsthandel Franz-Joseph-Str. 10 D-80801 München

Irrationality – Eikoh Hosoe

KAHMANN Gallery Lindengracht 35 1015 KB Amsterdam

Eikoh Hosoe: Japanese symbolism

Over more than fifty years, photographer Eikoh Hosoe has built up a body of work that shows a unique mastery of photographic techniques. Early in his career, he abandoned the predominant post-war documentary style