In short

Dread Scott’s Discussion on Making America Great at ICP

The ICP school is hosting tonight a conversation between artist Dread Scott and photographer Accra...

Profession Photographie Invites French-Laboratory Picto

The French-based association Profession Photographie invites this Wednesday April 26th the Parisian...

Conversation on Chinese Photography performance at Walther Collection

 The Walther Collection Project Space (New York) organizes this Saturday a discussion between curat...
PHOTO OF THE DAY
Photographe anonyme. Un Picasso à tomber par terre.
Allemagne, 1955. Tirage argentique d'époque légèrement rehaussé. 21,3 x 16,2 cm
Photographe anonyme. Un Picasso à tomber par terre. Allemagne, 1955. Tirage argentique d'époque légèrement rehaussé. 21,3 x 16,2 cm

On the one hand, it is completely staged photography, because it performed in the genre of staged portrait of friends or strangers stopped on the street, and on the other – it is unpredictable as any photography. In fact, each single scan is diptych with two neighbor frames from one film one of which is portrait of person in the environment, and the second – the environment without the person. This is my humble attempt to study man’s place in the world around him, man’s place with him or without. What is differing in location depending of human presence, what changes happen in a person? Here are the questions of interaction of living and nonliving, human and space, which I try to give an answer.

Kostya Smolyaninov

http://www.smolyaninow.com/