In short

Nicéphore Niépce Museum Looking For A New Directeur

The Nicéphore Niépce museum and the town of Chalon-sur-Saône are looking for a director. With a c...

Winners of the LensCulture and Magnum Photography Prize Announced

The Magnum Photos agency and the magazine LensCulture announced the winners of their very young phot...

Record Auctions for Wolfgang Tillmans

Wolfgang Tillmans, Freischwimmer #84, 2004 © Wolfgang Tillmans & Phillips The 48-year-old Germa...
Luciana Pampalone, Graflex, 2012 © Luciana Pampalone
Luciana Pampalone, Graflex, 2012 © Luciana Pampalone


All that Glitters is Not Gold: Platinum Photography from the Center for Creative Photography

January 8, 2015 , written by manager
Gold – one of the most precious metals – is often considered the standard by which other valuables are compared. In photography however, many consider the platinum process to be the most exquisite and luxurious. Expensive to produce platinum prints are coveted for the luscious matte surface texture, subtle range of tones, delicate rendering of the image, and beautiful colors (from a cool, slate grey to rich, warm browns).
Patented in 1873, platinum prints (and their close cousin, palladium prints) have been produced nearly constantly, right to the present. At different stages in the medium’s history, the platinum process has been used to achieve different artistic goals. All that Glitters is Not Gold: Platinum Photography from the Center for Creative Photographypresents platinum photographs from the collection of the Center for Creative Photography, including works by Edward Weston, Margrethe Mather, William E. Macnaughtan, Peter Henry Emerson, Dick Arentz and more. They are organized chronologically to illustrate the distinct phases of use and how photographers worked with this beautiful printing process.



  From   2014-11-01
  To    2015-03-01


Phoenix Art Museum

1625 N. Central Avenue, Phoenix, AZ 85004-1685
Phoenix United States

+1 (602) 257-1880